More mischief from Director duo, JAK, in their latest spot for Jammie Dodgers via McCann Manchester 🔫 Credits: Client: Jammie Dodgers Agency: McCann Manchester Deputy Creative Director: Mick Craven Art Director: Ellie Evans Senior Client Director: Joe Michaelides Account Director: Karim Elkadi Craft Senior Producer: Amanda Riddeal Junior Producer: Ellena Fallows Online Editor: George Hobbs Production Company: KNUCKLEHEAD Director: JAK DOP: Stefan Yap Producer: Francis Mildmay-White Production Manager: Matt Bulaitis Production Assistant: Christina Wiafe-Toppin Location Manager: Ben Carter 1st AD: Dani Castro Garcia 2nd AD: Elsa Collingwood Runners: Lucas Katz, Joe Walsham Gaffer: Joe Sherborne Rigger: Lee Doran Production Designer: Sofia Sacomani Costume Designer: Mel Mildway-White Hair & Make-up Artist: Phoebe Llewellyn Offline: Magic Edit Editor: Meg Thorne Producer: Katie Truelove Grade: Creative Outpost Colourist: Mark Horrobin Producer: Andy Salem Sound: Wave Studios London Audio Engineer: Munzie Thind
KNUCKLEHEAD’s Post
More Relevant Posts
-
Retoucher ~ || Portrait & Headshot || E commerce Products || Clothing & Fashion Products || Jewellery || Family & Wedding Photos ||
Headshot Create your own Spotlight on Success: Captivating Actor Headshot Techniques Captivating Actor Headshot TechniquesIn the competitive realm of acting, first impressions are crucial, and an actor headshot is more than a photograph; it's your ticket to the spotlight. At PhotoFixTeam, we excel in the art of perfecting every pixel of your actor headshot.
To view or add a comment, sign in
-
Ministry of Art (à la Orwell's 1984)? With its new Best Picture restrictions based on Diversity and Inclusion quotas, is the Academy of Motion Picture Arts and Sciences becoming a totalitarian regime demanding subservience? JTB 3-8-24 "In 2024, the Academy implemented a new rule: Films must complete a confidential Representation and Inclusion Standards Entry form (RAISE) that meets two of four standards in order to be eligible to be nominated: Standard A: On-Screen Representation, Themes, and Narratives (Must complete one): One of the lead actors or 'significant supporting actors' is from an underrated racial or ethnic group. At least 30% of actors in minor roles are from at least two underrepresented groups, including: women, racial or ethnic group, LGBTQ+, the disabled. The main storyline, theme or narrative of the film is centered on at least one of the four aforementioned underrepresented groups. Standard B: Creative Leadership and Project Team (Must complete one): At least two of the following positions — Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer — must be from one of the four underrepresented groups, and at least one must be from an underrepresented racial or ethnic group. At least six other crew/team members (excluding PAs) must be from an underrepresented racial or ethnic group. At least 30% of the film’s crew is from one of the four underrepresented groups. Standard C: Industry Access and Opportunities (Must complete one): Film has at least two apprentices/interns from one of the four underrepresented groups (including one from an underrepresented racial or ethnic group) in production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. Film’s production, distribution or financing company provides training/work opportunities to people from one of the four underrepresented groups. Standard D: Audience Development Studio or film company has at least two 'in-house senior executives' on their creative and development, marketing, publicity, and/or distribution teams from one of the four underrepresented groups, and at least one from an underrepresented racial or ethnic group." https://lnkd.in/gR7b8TrQ
Oscars’ New Rules: Best Picture Inclusion Standards and More
https://www.rollingstone.com
To view or add a comment, sign in
-
An Aspiring Design Thinker | Creative Thinker | Young Mind | Enthusiastic Programmer | Social Observer | Impressive Behavior |
**Unveiling the Magic: A Glimpse Behind the Scenes of Cinema** While the silver screen dazzles audiences with captivating stories and breathtaking visuals, the true magic of cinema often lies behind the scenes. Behind every memorable scene, there's a team of dedicated professionals working tirelessly to bring the director's vision to life. Let's peel back the curtain and explore the fascinating world behind the cinema: **Scriptwriting:** It all begins with a story. Scriptwriters craft narratives that capture the imagination of viewers, laying the foundation for the entire film. **Pre-Production:** Months before cameras roll, meticulous planning takes place. Producers secure funding, directors scout locations, and production designers create sets that transport audiences to different worlds. **Casting:** Casting directors sift through countless auditions to find the perfect actors to breathe life into the characters. Chemistry tests and callbacks help assemble the ideal ensemble cast. **Production:** Lights, camera, action! The heart of filmmaking unfolds on set, where directors collaborate with cinematographers, actors, and crew members to capture scenes that resonate with audiences. **Costume Design:** Costume designers meticulously craft wardrobes that reflect characters' personalities, era, and setting, enhancing storytelling through fabric and color. **Makeup and Hairstyling:** Makeup artists and hairstylists work their magic, transforming actors into characters through prosthetics, wigs, and cosmetics, ensuring continuity throughout filming. **Special Effects:** From practical effects to CGI wizardry, special effects teams create the spectacle that brings fantasy worlds to life, whether it's a dazzling explosion or a mythical creature. **Post-Production:** The editing room becomes the final battleground, where editors weave together footage, sound, and visual effects to sculpt the film's narrative and pacing. **Sound Design:** Sound designers layer audio elements—dialogue, music, and sound effects—to evoke emotions, enhance tension, and immerse audiences in the cinematic experience. **Marketing and Distribution:** Even after the final cut, the work isn't over. Marketing teams promote the film through trailers, posters, and press junkets, while distributors ensure it reaches theaters worldwide. **Audience Reception:** Ultimately, the true measure of a film's success lies in its reception by audiences. Reviews, box office numbers, and awards ceremonies provide feedback and recognition for the collective efforts of everyone involved. #snsinstitutions #desingthinking #designthinkers
To view or add a comment, sign in
-
🎬 Visual effects production coordinator at MPC 📽 Project planning and execution 🎞 VFX Production Pipeline 📺 Autodesk® Shotgrid 📹 Microsoft® Office 📸 Cloud tools 🎥 120k impression
Lights, Camera, Casting! How the film industry finds its Stars🎥 📹 Vision 🌟The casting process begins with the director and producers thoroughly reviewing the script. They identify each character's key qualities, personalities, demographics, and general essence. 📹 Breakdown 🌟Casting directors develop "breakdowns" of each character, which contain thorough descriptions, potential actor wishlists, and any other needs that the filmmakers may have. 📹 Talent Search 🌟Casting directors utilize their broad network of performers and agencies. They evaluate previous collaborators as well as actors known for specific genres or styles. 🌟Open casting calls may be announced on websites such as Backstage or in industry publications. These can be especially useful for lesser-known jobs or uncovering new faces. 🌟Agencies are an important source. They aggressively advocate for their actors and recommend clients from their rosters who would be a good fit for the roles. 📹 Audition 🌟Actors often submit initial "self-tape" auditions, which are video recordings of themselves, as a preliminary audition. 🌟Short listed candidates will be called to a live audition where they can play scenes from the script and interact with the casting director and, in certain cases, the director. 🌟Potential performers may be invited for more "callbacks" that may include reading with other actors or more in-depth workshopping. 📹 Chemistry Reads and Screen Tests 🌟Chemistry reads evaluate how actors interact with each other and whether they accurately portray the dynamics between their characters. 🌟These intricate tests often require trying on different outfits, applying makeup, and shooting a brief scene alongside a potential co-star. Screen tests are crucial when it comes to incorporating special effects or stunt work. 📹 Selection 🌟The director plays a crucial role in making the final casting decisions. They search for actors who capture the true essence of the characters and will bring the perfect energy to the film. 🌟Once an actor is chosen, agents and production lawyers engage in discussions to finalize the contractual agreements. 📹 Other Factors 🌟In addition, studios look for well-known actors to draw in audiences and provide funding; casting decisions are influenced by budgetary constraints. In order to represent a variety of backgrounds in the industry, diversity and inclusion are essential. 🌟The director, casting director, producers, and frequently studio executives work together to cast a movie. They search for actors who share the artistic and economic objectives of the film and who will captivate the audience by bringing the characters to life. Image courtesy: Adobe #filmmaking #moviemaking #filming #filmphotography #film #cinematics #cinematography #moviemaking #vfxstory #vfxindustry #vfx #cgi #vfxmagic #vfxworld #vfxindia #insight #education #learning
To view or add a comment, sign in
-
Here’s what I mean 👇🏻 👇🏻 But first, SAVE this post to prep for your next headshot session Navigating the acting and modeling industry requires not only talent and perseverance but also a powerful personal branding tool: YOUR HEADSHOT ✨ So how do you make your headshot STAND OUT and *actually* impress casting directors? 1️⃣ SHOWCASE YOUR AUTHENTICITY Casting directors prioritize authenticity in modeling and acting headshots. They want to see the real you, not an overly airbrushed or stylized version. Your headshot should accurately reflect your current appearance. 2️⃣ VERSATILITY A headshot that showcases your versatility is highly valuable. Casting directors often look for actors and models who can adapt to various roles and genres. Your photographer can help you tailor the session to capture these various facets of your personality and range. 3️⃣ EYE CONTACT AND EXPRESSION Your eyes are the window to your soul, and this couldn’t be more true in headshots. A direct gaze that connects with the viewer can convey confidence and depth of character. 4️⃣ The importance of professional-quality headshots CANNOT be overstated. A well-lit, sharply focused photo with a clean background speaks volumes about your dedication to your career. Choose a photographer with experience in the acting and modeling industry for their nuanced understanding of casting directors’ requirements and expectations. ❤️ Like this video if this was helpful and let me know if the comments what you think! 💌 Share this with a model or actor you may know! If you’re ready to elevate your headshots and land the role of your dreams.. LET’S CHAT! 💬 Shoot me a message and we’ll set up a FREE consultation! #headshottips #headshotsformodels #modelingheadshots #actingheadshots #headshotsforactors #houstonheadshotphotographer
To view or add a comment, sign in
-
Understanding Film Production Organizational Chart The Film Production Organizational Chart is a visual representation of the hierarchy and roles within a film production team. Here's a brief overview: Executive Producer: Oversees the project, securing finances and making key decisions. Producer: Manages the production from start to finish, coordinating between departments. Director: Responsible for the creative vision and directing the cast and crew. 1st and 2nd Assistant Directors: Assist the director, manage schedules, and ensure the production runs smoothly. Head of Department: Leads various technical and creative departments. Key Departments: Director of Photography: Manages the camera and lighting crews. Sound Designer: Creates the auditory elements of the film. Production Designer: Designs the visual look, including sets and props. Editor: Assembles the filmed footage into the final product. Special Effects: Creates visual effects for the film. Supporting Roles: Assistant Camera: Assists the Director of Photography. Gaffer, Best Boy, and Sparks: Manage lighting equipment. Clapper Loader and Focus Puller: Assist with camera operations. Boom Operator and Sound Recorder: Capture audio on set. Costume, Prop, and Make-up: Prepare and maintain wardrobe, props, and make-up for the cast. Understanding this chart helps appreciate the collaborative effort required to produce a film. Each role is crucial in bringing the creative vision to life. #FilmProduction #MovieMaking #FilmCrew #BehindTheScenes #FilmIndustry #Filmmaking #Teamwork
To view or add a comment, sign in
-
🎥 In the world of video production, every moment on set is a testament to the power of teamwork. Whether it’s the cinematographer, set decorator, makeup artist, actor or producer, trusting your crew with their individual expertise allows you to get the perfect shot, solve unexpected challenges and transform visions to reality. Ultimately, this trust is crucial to creating compelling narratives that resonate with audiences. 👋 Let's tell your story! Message me to discuss how we can collaborate on your next video project and create something memorable! #VideoProduction #Filmmaking #Teamwork #Collaboration #Storytelling
To view or add a comment, sign in
-
Things I focus on when doing a script breakdown: - locations - intricacy of costumes/set design - gear - number of actors - safety concerns - writer's intent - character motivation - visual aesthetics - sound design - vfx/difficult editing When looking at a script, my main focus is ALWAYS to ensure that the mental and physical well-being is put first on set. Crew and talent can not create their best work if they are not being taken care of physically and emotionally. In my experience, preparation, communication, and kindness, create the best on-set vibes for everyone involved. Although I am an artist with a vision, I understand that it is a privilege to work with talented and kind people. I always want to respect people's time, safety, and mental sanity. No film is worth it if the people I'm working with get hurt. #onset #mentalhealth #filmdirector #freelancefilmmaker #scriptbreakdown #productioncompany
To view or add a comment, sign in
-
The UK has always been ahead of the curve on stop motion. For some reason Europe has always had a home for the medium, first explored in Soviet Russia/Eastern Europe, whereas the US has always treated it as much more niche. The piece below is a perfect example of playing to stop motions strengths, juxtaposing the textured characters and set pieces against the clean, colored Cyc's so prevalent on social media. The effect that is rendered is so engaging as your eye is drawn ever inward towards detail. The exact opposite of corporate friendly CG, that can often be so flat that your eyes glaze over without registering anything. Attentions are short, so it up to the creatives to find new ways to hold folks attention, and I think this piece can really teach us Americans the value that stop motion adds to advertising. Cheers to Joseph Wallace and Co. for such a great piece!
It’s been a huge privilege to work on some compositing for Joseph Wallace, one of the top UK stop motion directors on such a stunning project for The Sleeping Forecast, a BBC Sounds brand film. I met Joseph 16 years ago in Turin, my hometown, and I’m glad we have finally had a chance to work together! Joseph and Yoav, the creative director and producer, created simple but striking theatrical works that invite the viewer to use their imagination. This film has a diverse cast falling asleep whilst listening to the podcast in various locations. It’s been also wonderful to meet the brilliant team of modelmakers and animators in Clapham Road, a building buzzing with animation history. Director, Designer: Joseph Wallace Creative Director, Producer: Yoav Segal BBC Commissioners: Martha Ling, Frederick Botham Puppets: Adeena Grubb, Lara Hosking Puppet Assistance: Melanie Grubb Models and props: Eve Bannister, Lara Hosking Cinematographer: Malcolm Hadley GBCT Animation: Steve Warne, Joseph Wallace Rigging: Robin Jackson Compositing: Federico Parodi Sound Design and Mix: David Gritzman at Gramercy Park Studios Grade: Ben Rogers at Gramercy Park Studios Post-house producers: Richard Donaghue at Gramercy Park Studios Shot at: Clapham Road Studios Voiceover: Neil Nunes, Katy Leckie Music: Solstralermusic Thanks to: Katy Leckie, Daisy Garside, Ben Côte, George Warren, Max Halstead, Giulia Marcolini, Peter Jewkes, Wessen Jazrawi, Charlotte Dubery #stopmotion #stopmo #animation #puppet #sleeping #miniature #models #josephwallace #relaxing #bbc #ad #advert #commercial #commission #thursday #creativity #art #film #watchthis #puppets #compositing
To view or add a comment, sign in
-
#oscars2024 predictions: 1. Best actor: Cillian Murphy (it’s a tight race btw him & Paul Giamatti) 2. Best actress: Lily Gladstone 3. Best supporting actor: Robert Downey Jr 4. Best supporting actress: Emily Blunt (another tight race btw her, America Ferrera & Jodie Foster) 5. Best Director: Christopher Nolan 6. Best picture: Oppenheimer 7. Best Original screenplay: the holdovers 8. Best original score: Oppenheimer (killers of the flower moon’s was also good) 9. Best original song: (based on popularity) “I’m just Ken” 10. Best sound: Oppenheimer 11. Best production design: Oppenheimer 12. Best cinematography: Oppenheimer 13. Best HMU(that’s industry, lingo for hair and make up): it’s a tie btw killers of the flower, moon and Oppenheimer but I have a feeling that Oppenheimer is going to win 14. Best costume design: POSSIBLY Barbie (I didn’t see it), Oppenheimer, killers of the flower moon 15. Best VFX (that’s industry lingo for visual effects): Guardians of the Galaxy Vol. 3 or Mission: Impossible – Dead Reckoning Part One 16. Best film editing: Oppenheimer
To view or add a comment, sign in
2,369 followers
Portraiture + Graphic Art + Limner + Illustrator at Susan Monk
3wDoes the little kid wear false teeth?