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- Tito Enrique Cánepa Jiménez (21 de septiembre de 1916 - 11 de febrero de 2014) fue uno de los más importantes pintores dominicanos que llegaron a su madurez artística en los años 1930s y 1940s. La identidad artística de Canepa se forma en la Ciudad de Nueva York, en donde vivió desde la edad de 21 años, nunca regresó para quedarse en su país natal. A pesar de esta distancia, o quizá debido a ello, como León David ha apuntado, su trabajo siempre muestra una cierta dominicaneidad sin establecerlo como una meta en sus logros – una dominicaneidad que nunca es folclórica. De los tres pintores modernistas Dominicanos de los 1930s y 40s – Canepa, Colson y Suro – señalados por Rafael Díaz Niese en 1944 como los más significativos (es)
- Tito Enrique Canepa Jiménez (21 September 1916 – 11 February 2014) was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian. (en)
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- 16983 (xsd:nonNegativeInteger)
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- Charlotte, North Carolina, U.S. (en)
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- Tito Enrique Cánepa Jiménez (21 de septiembre de 1916 - 11 de febrero de 2014) fue uno de los más importantes pintores dominicanos que llegaron a su madurez artística en los años 1930s y 1940s. La identidad artística de Canepa se forma en la Ciudad de Nueva York, en donde vivió desde la edad de 21 años, nunca regresó para quedarse en su país natal. A pesar de esta distancia, o quizá debido a ello, como León David ha apuntado, su trabajo siempre muestra una cierta dominicaneidad sin establecerlo como una meta en sus logros – una dominicaneidad que nunca es folclórica. De los tres pintores modernistas Dominicanos de los 1930s y 40s – Canepa, Colson y Suro – señalados por Rafael Díaz Niese en 1944 como los más significativos (es)
- Tito Enrique Canepa Jiménez (21 September 1916 – 11 February 2014) was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in N (en)
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- Tito Canepa (es)
- Tito Canepa (en)
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