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- Angelo Berardi fou un teòric de la música i compositor italià del Barroc. Canonge del Capítol de Viterbo i mestre de capella en aquesta parròquia i en moltes altres. Publicà sobre la música obres que, segons Fetís, formen època en la història d'aquest art. Fou el primer que exposà metòdicament els principis i el mecanisme del doble contrapunt i de l'art de modular la fuga, pel qual ha exercit gran influència en la música moderna. Les seves obres teòriques són superiors a les seves composicions musicals, si bé avui només tenen un interès històric, ja que el contrapunt ha assolit un desenvolupament verdaderament prodigiós en l'actualitat. se li deuen: Missa prodefunctis (1636), Libri tre de motetti (1665), Salmi concertate (1668), Salmi vespertini (1675), Salmi vespertini, etc. (1698), i els tractats Ragionamenti musicali (Bolonya, 1681), Documenti armonici (1687), Miscellanea musicale divisa in tre parte (1689), Arcani musicali (1690), Il perché musicale ovvero staffetta armonica (1693). (ca)
- Angelo Berardi (c. 1636 in Sant'Agata Feltria – 9 April 1694 in Rome) was an Italian music theorist and composer. Berardi was born in Sant'Agata Feltria. He received early education at Forlì under (1600–1655). From 1662 he was maestro di cappella in Montefiascone, in the province of Viterbo, Lazio. He studied under Marco Scacchi at Gallese at some time between 1650 and Scacchi's death in 1662; he included two motets by Scacchi in Book 1 of his Documenti armonici of 1687, and also cites him frequently. By 1667, when his Salmi vespertini concertati, Op. 4, were published, Berardi was maestro di cappella at the cathedral in Viterbo. He was organist and maestro di cappella at Tivoli from 21 September 1673 to 1679, and maestro di cappella and "professor of music" at the cathedral in Spoleto in 1681 or from 1679–1683. He was a canon at the collegiata of S. Angelo, Viterbo, when the Documenti armonici (1687) and Miscellanea musicale (1689) were published. By 17 August 1692 he was maestro di cappella at Santa Maria in Trastevere in Rome. He died in Rome in 1694. Berardi composed a significant body of work, mostly of a sacred nature, but he is better known for his writings on music theory and counterpoint. His first treatise, published in 1670 or in any case before 1681, has not survived, but is referred to in his Ragionamenti musicali (1681), which deals with the origins of music and the proliferation of musical styles. Both the Documenti armonici (1687) and the Miscellanea musicale (1689) discuss contemporary contrapuntal practices. (en)
- Angelo Berardi (* um 1636 in Sant’Agata Feltria, Rimini; † 9. April 1694 in Rom) war ein italienischer Komponist, Violinist, er galt als einer der bedeutenden italienischen Musiktheoretiker des 17. Jahrhunderts. (de)
- Angelo Berardi (Sant'Agata Feltria, c. 1636 – Roma, 9 de abril de 1694) fue un teórico de la música, compositor y organista italiano del Barroco. (es)
- Angelo Berardi (Sant'Agata Feltria, 1636 circa – Roma, 9 aprile 1694) è stato un compositore italiano del periodo barocco. (it)
- Angelo Berardi, född omkring 1636 i Sant'Agata Feltria, Rimini, död den 9 april 1694 i Rom, var en italiensk musiker. Berardi var kapellmästare vid Santa Maria in Trastevere i Rom. Han utgav teoretiska verk och komponerade psalmer och motetter med mera. (sv)
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- Angelo Berardi (* um 1636 in Sant’Agata Feltria, Rimini; † 9. April 1694 in Rom) war ein italienischer Komponist, Violinist, er galt als einer der bedeutenden italienischen Musiktheoretiker des 17. Jahrhunderts. (de)
- Angelo Berardi (Sant'Agata Feltria, c. 1636 – Roma, 9 de abril de 1694) fue un teórico de la música, compositor y organista italiano del Barroco. (es)
- Angelo Berardi (Sant'Agata Feltria, 1636 circa – Roma, 9 aprile 1694) è stato un compositore italiano del periodo barocco. (it)
- Angelo Berardi, född omkring 1636 i Sant'Agata Feltria, Rimini, död den 9 april 1694 i Rom, var en italiensk musiker. Berardi var kapellmästare vid Santa Maria in Trastevere i Rom. Han utgav teoretiska verk och komponerade psalmer och motetter med mera. (sv)
- Angelo Berardi fou un teòric de la música i compositor italià del Barroc. Canonge del Capítol de Viterbo i mestre de capella en aquesta parròquia i en moltes altres. Publicà sobre la música obres que, segons Fetís, formen època en la història d'aquest art. Fou el primer que exposà metòdicament els principis i el mecanisme del doble contrapunt i de l'art de modular la fuga, pel qual ha exercit gran influència en la música moderna. (ca)
- Angelo Berardi (c. 1636 in Sant'Agata Feltria – 9 April 1694 in Rome) was an Italian music theorist and composer. Berardi was born in Sant'Agata Feltria. He received early education at Forlì under (1600–1655). From 1662 he was maestro di cappella in Montefiascone, in the province of Viterbo, Lazio. He studied under Marco Scacchi at Gallese at some time between 1650 and Scacchi's death in 1662; he included two motets by Scacchi in Book 1 of his Documenti armonici of 1687, and also cites him frequently. By 1667, when his Salmi vespertini concertati, Op. 4, were published, Berardi was maestro di cappella at the cathedral in Viterbo. He was organist and maestro di cappella at Tivoli from 21 September 1673 to 1679, and maestro di cappella and "professor of music" at the cathedral in Spoleto in (en)
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