When the moon is high and the shadows stretch long, there’s nothing quite like a monster mash to get the blood curdling in the best possible way. Yep, we’re talking about those rare cinematic feasts where Dracula toasts with Frankenstein, and the Wolfman crashes the party, only to find out the Mummy’s been hogging the dip. Welcome to the ultimate guide to horror’s most iconic gatherings – a list that promises more monster movies than a Halloween bash at Castle Dracula.
Before we unleash the monsters, a quick plug! Dive deeper into classic and modern monster lore with our “Graveyard Smash” limited podcast series on Patreon. Our latest haunt? Abbott and Costello Meet Frankenstein. Don’t miss it! Support us and get exclusive access at Nightmare on Film Street on Patreon.
20Th Century Studios 10. Transylvania 6-5000 (1985)
Directed by Rudy De Luca, this offbeat comedy takes a jab...
Before we unleash the monsters, a quick plug! Dive deeper into classic and modern monster lore with our “Graveyard Smash” limited podcast series on Patreon. Our latest haunt? Abbott and Costello Meet Frankenstein. Don’t miss it! Support us and get exclusive access at Nightmare on Film Street on Patreon.
20Th Century Studios 10. Transylvania 6-5000 (1985)
Directed by Rudy De Luca, this offbeat comedy takes a jab...
- 2/27/2024
- by Kimberley Elizabeth
Back in March of this year the landmark 1943 film Frankenstein Meets the Wolf Man (dir. Roy William Neill) made its debut. In honor of the film’s 80th birthday, let’s have some fun celebrating the first big screen monster bash.
The Universal Monsters, particularly the trifecta of Dracula, Frankenstein, and The Wolf Man, are some of the most recognizable icons in pop culture, let alone film.
The legacy of Universal’s horror output from the 1930s and 40s has reached every corner of the zeitgeist. The visage of Bela Lugosi’s Dracula, Boris Karloff’s Monster, and Lon Chaney Jr’s Wolf Man have reached a point of cultural saturation that few fictional characters ever reach.
One of the most remembered films from this cycle is of course, Frankenstein Meets the Wolf Man. It’s hardly a new or astute observation to connect today’s mega blockbuster shared universe...
The Universal Monsters, particularly the trifecta of Dracula, Frankenstein, and The Wolf Man, are some of the most recognizable icons in pop culture, let alone film.
The legacy of Universal’s horror output from the 1930s and 40s has reached every corner of the zeitgeist. The visage of Bela Lugosi’s Dracula, Boris Karloff’s Monster, and Lon Chaney Jr’s Wolf Man have reached a point of cultural saturation that few fictional characters ever reach.
One of the most remembered films from this cycle is of course, Frankenstein Meets the Wolf Man. It’s hardly a new or astute observation to connect today’s mega blockbuster shared universe...
- 11/15/2023
- by Tyler Eschberger
- bloody-disgusting.com
Who doesn't love a good Viking movie? Nearly a full millennium after the Vikings' heyday, stories of the Scandinavian seafarers and warriors who rampaged their way through Europe and around the world in the 8th through 11th centuries still fascinate us — enough to inspire an entire subgenre of historical fiction that spans various media. Film in particular has returned to the Viking world repeatedly since the silent era, with productions that hail from Iceland, America, Norway, Britain, Denmark, and more.
A quick scan of the most notorious Viking-themed films reveals that these movies have never been just one thing; it's a milieu that lends itself to comedy, romance, horror, superhero-style action, and, of course, the gruesome war sagas it's most commonly associated with. Here, then, are 14 essential Viking movies that should cover a wide range of cinematic tastes and proclivities, while still satisfying anyone who's just looking for a grand,...
A quick scan of the most notorious Viking-themed films reveals that these movies have never been just one thing; it's a milieu that lends itself to comedy, romance, horror, superhero-style action, and, of course, the gruesome war sagas it's most commonly associated with. Here, then, are 14 essential Viking movies that should cover a wide range of cinematic tastes and proclivities, while still satisfying anyone who's just looking for a grand,...
- 4/23/2023
- by Leo Noboru Lima
- Slash Film
Thrillers from the Vault – 8 Classic Films
Blu-ray
Mill Creek Entertainment
1935, 1939, 1940 / B&w / 1.33: 1 / Blu ray
Starring Boris Karloff, Ann Doran, Evelyn Keyes,
Written by Arthur Strawn, Karl Brown, Robert Andrews
Directed by Roy William Neill, Nick Grindé
In 1934 Boris Karloff was an unhappy actor, he was one of Universal’s most illustrious stars, yet good parts were scarce, and intelligent horror roles like hen’s teeth—the occasional work at other studios was both a boon and a welcome distraction.
In 1935 the studio loaned him to Columbia for The Black Room, a blood and thunder gothic in which Karloff would play two roles, an aristocrat and his evil twin—a dark fable played out in shadows, but a light at the end of the tunnel for the 47 year old actor who relished a challenge. Even brighter news for Karloff, Roy William Neill was signed to direct. Known for his exacting nature,...
Blu-ray
Mill Creek Entertainment
1935, 1939, 1940 / B&w / 1.33: 1 / Blu ray
Starring Boris Karloff, Ann Doran, Evelyn Keyes,
Written by Arthur Strawn, Karl Brown, Robert Andrews
Directed by Roy William Neill, Nick Grindé
In 1934 Boris Karloff was an unhappy actor, he was one of Universal’s most illustrious stars, yet good parts were scarce, and intelligent horror roles like hen’s teeth—the occasional work at other studios was both a boon and a welcome distraction.
In 1935 the studio loaned him to Columbia for The Black Room, a blood and thunder gothic in which Karloff would play two roles, an aristocrat and his evil twin—a dark fable played out in shadows, but a light at the end of the tunnel for the 47 year old actor who relished a challenge. Even brighter news for Karloff, Roy William Neill was signed to direct. Known for his exacting nature,...
- 2/28/2023
- by Charlie Largent
- Trailers from Hell
The inventive director Roy William Neill makes the first of the Universal Monster rallies an exciting and surprisingly scary thrill-ride. Lon Chaney’s Wolf Man just happens to bump into the Frankenstein monster and in this particular universe, it all seems quite natural. Patrick Knowles plays the doctor who seeks to cure Chaney and revive the monster – now played by Bela Lugosi for the first and only time. The unnerving graveyard scene in which two ill-advised thieves desecrate the Wolf Man’s tomb is a highlight of Universal horror.
The post Frankenstein Meets the Wolf Man appeared first on Trailers From Hell.
The post Frankenstein Meets the Wolf Man appeared first on Trailers From Hell.
- 5/15/2020
- by Charlie Largent
- Trailers from Hell
As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.When you look through the IMDb entries for the early releases of the Fox Film Corporation (recommended: it's dispiriting and boggling at once: how many Buck Jones and Tom Mix westerns did the world need—and how many survive?) it's striking how many potentially interesting ones are unheard-of and impossible for the ordinary cinephile to see. My mouth waters in particular at the many, many Roy William Neill silents: Neill was a terrific, expressive filmmaker, a journeyman maybe, but a very talented one, best known today...
- 1/22/2020
- MUBI
This unassuming noir classic can boast a strong creative pedigree and an unusual ending… which I’ll not spoil. Dan Duryea is the confused pianist helping June Vincent clear her husband of a murder charge, by infiltrating the nightclub of suspicious Peter Lorre. The outline sticks close to Cornell Woolrich’s story source, and Roy William Neill contributes a classy job of direction.
Black Angel
Blu-ray
Arrow Academy
1946 / B&w / 1:37 Academy / 81 min. / Street Date January 28, 2020 / 39.95
Starring: Dan Duryea, June Vincent, Peter Lorre, Broderick Crawford, Constance Dowling, Wallace Ford, Hobart Cavanaugh, Ben Bard, Freddie Steele, John Phillips.
Cinematography: Raoul Ivano
Film Editor: Saul A. Goodkind
Special effects: David S. Horsley
Original Music: Frank Skinner
Written by Roy Chanslor from a novel by Cornell Woolrich
Produced by Roy William Neill, Tom McKnight
Directed by Roy William Neill
The many movies made from Cornell Woolrich’s novels and stories can be a...
Black Angel
Blu-ray
Arrow Academy
1946 / B&w / 1:37 Academy / 81 min. / Street Date January 28, 2020 / 39.95
Starring: Dan Duryea, June Vincent, Peter Lorre, Broderick Crawford, Constance Dowling, Wallace Ford, Hobart Cavanaugh, Ben Bard, Freddie Steele, John Phillips.
Cinematography: Raoul Ivano
Film Editor: Saul A. Goodkind
Special effects: David S. Horsley
Original Music: Frank Skinner
Written by Roy Chanslor from a novel by Cornell Woolrich
Produced by Roy William Neill, Tom McKnight
Directed by Roy William Neill
The many movies made from Cornell Woolrich’s novels and stories can be a...
- 1/14/2020
- by Glenn Erickson
- Trailers from Hell
Dan Duryea and Peter Lorre in Black Angel (1946) will be available on Blu-ray January 28th From Arrow Academy
Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).
When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair, her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth…...
Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).
When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair, her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth…...
- 12/28/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Lon Chaney Jr. occupies an odd spot in the Universal Monsters pantheon. Of course we know him as The Wolf Man, but he also has a history as something of a utility player for the studio, taking over iconic roles after their originators had moved on. He took stints as both Frankenstein’s Monster and Dracula after Boris Karloff and Bela Lugosi, respectively. Hell, he even played a mummy for a time (although this was in a separate franchise from the one Karloff made famous). His game of monster musical chairs hit its peak in 1943, when two franchises came together in Universal’s first foray into a crossover event, Roy William Neill’s Frankenstein Meets the Wolf Man.
While Frankenstein Meets the Wolf Man represents the first sequel to The Wolf Man franchise, it’s the fifth(!) film of the Frankenstein series. So while Lawrence Talbot has been resting (re:...
While Frankenstein Meets the Wolf Man represents the first sequel to The Wolf Man franchise, it’s the fifth(!) film of the Frankenstein series. So while Lawrence Talbot has been resting (re:...
- 11/28/2019
- by Bryan Christopher
- DailyDead
Foreplays is a column that explores under-known short films by renowned directors. Víctor Erice's La Morte Rouge (2006) is free to watch below.In his book The Cinema Hypothesis, Alain Bergala discusses the moment in childhood when a person encounters a film that will become essential in their relationship to cinema, noting that this experience is not subordinated to distinctions of taste or culture, but rather is defined by "aspects of the encounter, in its uniqueness, its unpredictability, and its power to astonish." There is perhaps no more beautiful film dealing intimately with this kind of encounter than Víctor Erice's thirty-minute essay, La Morte Rouge (2006). At the age of five, in the company of his older sister, Erice watched the first film of his life: The Scarlet Claw, a horror-mystery belonging to the Sherlock Holmes series. The screening of The Scarlet Claw is at the heart of La Morte Rouge,...
- 10/15/2018
- MUBI
The 2016 blu ray release of the Frankenstein and Wolf Man Legacy Collections was a moment of celebration for movie and monster lovers everywhere, bringing together all the golden age appearances of Frankenstein’s misbegotten creation and Larry Talbot’s hairy alter-ego. Universal Studios treated those dusty creature features to luminous restorations; from Bride of Frankenstein to She Wolf of London, these essential artifacts never looked less than impeccable and, at times, even ravishing. Colin Clive’s frenzied declaration, “It’s Alive!”, never felt more appropriate.
Now Universal has turned their attention to their other legendary franchise players, Dracula, the sharp-dressed but undead ladies’ man and Im-ho-tep, the cursed Egyptian priest who loved not wisely but too well.
Dracula: Complete Legacy Collection
Blu-ray
Universal Studios Home Entertainment
1931, ’36, ’43, ’44, ’45, ’48 / 449 min. / B&W / 1:33 / Street Date May 16, 2017
Starring: Actors: Bela Lugosi, Lon Chaney Jr. , Boris Karloff, Bud Abbott, Lou Costello
Cinematography: Karl Freund,...
Now Universal has turned their attention to their other legendary franchise players, Dracula, the sharp-dressed but undead ladies’ man and Im-ho-tep, the cursed Egyptian priest who loved not wisely but too well.
Dracula: Complete Legacy Collection
Blu-ray
Universal Studios Home Entertainment
1931, ’36, ’43, ’44, ’45, ’48 / 449 min. / B&W / 1:33 / Street Date May 16, 2017
Starring: Actors: Bela Lugosi, Lon Chaney Jr. , Boris Karloff, Bud Abbott, Lou Costello
Cinematography: Karl Freund,...
- 5/29/2017
- by Charlie Largent
- Trailers from Hell
Success for Gareth Edwards’s offbeat spinoff of the space opera would prove there’s more than one Marvel-style model for building Hollywood mega-sagas
Is the cinematic universe concept really that new? Alex Kurtzman, director of the forthcoming Tom Cruise-led remake of The Mummy, pointed out recently that Universal Pictures were making mashup monster movies more than half a century ago. Roy William Neill’s film Frankenstein Meets the Wolfman, featuring Bela Lugosi as Frankenstein’s Monster and Lon Chaney Jr reprising his role as the cursed lycanthrope, kicked off the concept in 1943. Further ensemble efforts House of Frankenstein (1944) and House of Dracula (1945) even added the vampire count to the mix.
Related: Six key questions Rogue One: A Star Wars Story must answer
Continue reading...
Is the cinematic universe concept really that new? Alex Kurtzman, director of the forthcoming Tom Cruise-led remake of The Mummy, pointed out recently that Universal Pictures were making mashup monster movies more than half a century ago. Roy William Neill’s film Frankenstein Meets the Wolfman, featuring Bela Lugosi as Frankenstein’s Monster and Lon Chaney Jr reprising his role as the cursed lycanthrope, kicked off the concept in 1943. Further ensemble efforts House of Frankenstein (1944) and House of Dracula (1945) even added the vampire count to the mix.
Related: Six key questions Rogue One: A Star Wars Story must answer
Continue reading...
- 12/13/2016
- by Ben Child
- The Guardian - Film News
Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round...
- 11/5/2015
- by Andre Soares
- Alt Film Guide
'Pirates of the Caribbean: The Curse of the Black Pearl': Johnny Depp as Capt. Jack Sparrow. 'Pirates of the Caribbean: The Curse of the Black Pearl' review: Mostly an enjoyable romp (Oscar Movie Series) Pirate movies were a Hollywood staple for about three decades, from the mid-'20s (The Sea Hawk, The Black Pirate) to the mid-to-late '50s (Moonfleet, The Buccaneer), when the genre, by then mostly relegated to B films, began to die down. Sporadic resurrections in the '80s and '90s turned out to be critical and commercial bombs (Pirates, Cutthroat Island), something that didn't bode well for the Walt Disney Company's $140 million-budgeted film "adaptation" of one of their theme-park rides. But Neptune's mood has apparently improved with the arrival of the new century. He smiled – grinned would be a more appropriate word – on the Gore Verbinski-directed Pirates of the Caribbean: The Curse of the Black Pearl,...
- 6/29/2015
- by Andre Soares
- Alt Film Guide
Above: German poster for Last Year At Marienbad (Alain Resnais, France, 1961), artist: Tostmann.
Over the past three months of Movie Poster of the Day, the two most popular posters by far were two beautiful (each in their own very distinct way) posters that I posted in memoriam of two dearly departed auteurs: Alan Resnais and Harold Ramis. And two other posters among the most popular (i.e. most liked or reblogged) were those posted in celebration of Philip Seymour Hoffman, including Chris Ware’s lovely 2007 design for The Savages, one of my favorite posters of last decade. So, if nothing else, Movie Poster of the Day has recorded the saddest losses of the year. (Not forgetting the adorable Swedish poster I posted for Shirley Temple which didn’t make the Top 20.)
I’m happy to see a number of new posters here: a very popular Dutch Wolf of Wall Street,...
Over the past three months of Movie Poster of the Day, the two most popular posters by far were two beautiful (each in their own very distinct way) posters that I posted in memoriam of two dearly departed auteurs: Alan Resnais and Harold Ramis. And two other posters among the most popular (i.e. most liked or reblogged) were those posted in celebration of Philip Seymour Hoffman, including Chris Ware’s lovely 2007 design for The Savages, one of my favorite posters of last decade. So, if nothing else, Movie Poster of the Day has recorded the saddest losses of the year. (Not forgetting the adorable Swedish poster I posted for Shirley Temple which didn’t make the Top 20.)
I’m happy to see a number of new posters here: a very popular Dutch Wolf of Wall Street,...
- 4/4/2014
- by Adrian Curry
- MUBI
The Woman in the Window
Written by Nunnally Johnson
Directed by Fritz Lang
USA, 1944
Richard Wanley (Edward G. Robinson) is an assistant professor of psychology at a local university. While the academic’s family is away for the summer, he spends his evenings at a gentlemen’s club with fellow intellectuals, among them Dist. Atty. Frank Lalor (Raymond Massey). Just next door to the club is an art shop where, set beside the window for all to see, a portrait of a beautiful woman sits, catching Richard’s attention. Happenstance has it that the subject, Alice Reed (Joan Bennett), passes by one night and, flattered by Richard’s admiration, invites him over to view other sketches. Everything is quite innocent until a middle-aged man, an acquaintance of Alice’s, storms into the apartment and attacks Richard out of jealousy. The professor has no other choice but to retaliate and stabs...
Written by Nunnally Johnson
Directed by Fritz Lang
USA, 1944
Richard Wanley (Edward G. Robinson) is an assistant professor of psychology at a local university. While the academic’s family is away for the summer, he spends his evenings at a gentlemen’s club with fellow intellectuals, among them Dist. Atty. Frank Lalor (Raymond Massey). Just next door to the club is an art shop where, set beside the window for all to see, a portrait of a beautiful woman sits, catching Richard’s attention. Happenstance has it that the subject, Alice Reed (Joan Bennett), passes by one night and, flattered by Richard’s admiration, invites him over to view other sketches. Everything is quite innocent until a middle-aged man, an acquaintance of Alice’s, storms into the apartment and attacks Richard out of jealousy. The professor has no other choice but to retaliate and stabs...
- 3/28/2014
- by Edgar Chaput
- SoundOnSight
Black Angel
Written by Roy Chanslor
Directed by Roy William Neill
USA, 1946
Famous recording artist Mavis Marlowe (Constance Dowling) has sheltered herself from her drunkard husband Martin Blair (Dan Duryea) in her lush Los Angeles condo. To ensure tranquility and peace of mind, she has asked the doorman to disallow Martin from reaching her, the latter looking up anxiously from street level at her window high above. The doorman’s rebuttals send Martin into a drinking frenzy, during which time another man, Kirk Bennet (John Phillips), enters Mavis’ home for reasons unknown only to find her dead. It isn’t long before the police track Kirk to his homely domain, where his wife Catherine sees her better half arrested for murder, sending her into a tizzy. With Kirk convicted and sentenced to death, Catherine takes it upon herself to piece together the puzzle to clear her husband’s name. To do so,...
Written by Roy Chanslor
Directed by Roy William Neill
USA, 1946
Famous recording artist Mavis Marlowe (Constance Dowling) has sheltered herself from her drunkard husband Martin Blair (Dan Duryea) in her lush Los Angeles condo. To ensure tranquility and peace of mind, she has asked the doorman to disallow Martin from reaching her, the latter looking up anxiously from street level at her window high above. The doorman’s rebuttals send Martin into a drinking frenzy, during which time another man, Kirk Bennet (John Phillips), enters Mavis’ home for reasons unknown only to find her dead. It isn’t long before the police track Kirk to his homely domain, where his wife Catherine sees her better half arrested for murder, sending her into a tizzy. With Kirk convicted and sentenced to death, Catherine takes it upon herself to piece together the puzzle to clear her husband’s name. To do so,...
- 3/21/2014
- by Edgar Chaput
- SoundOnSight
The Woman in Green
Written by Bertram Millhauser
Directed by Roy William Neill
USA, 1945
The Woman in Green begins with a mystery Scotland Yard cannot solve. Several women have turned up murdered around London, all with a finger severed off. Stumped by who the killer could be, Inspector Gregson (Matthew Boulton) calls on Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) to solve the case. Holmes and Watson soon discover that the deaths are far more than the work of a lone serial killer, but part of a diabolical plot involving hypnotism and the ever-evil Professor Moriarty (Henry Daniell).
Part of a series of 14 Sherlock Holmes films produced between 1939 and 1946 (by 20th Century Fox and then Universal), The Woman in Green plays with hypnotism as a way for Moriarty to gain control. Moriarty’s partner-in-crime is Lydia (Hillary Brooke), a hypnotism enthusiast. Together, they hypnotize wealthy men to believe...
Written by Bertram Millhauser
Directed by Roy William Neill
USA, 1945
The Woman in Green begins with a mystery Scotland Yard cannot solve. Several women have turned up murdered around London, all with a finger severed off. Stumped by who the killer could be, Inspector Gregson (Matthew Boulton) calls on Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) to solve the case. Holmes and Watson soon discover that the deaths are far more than the work of a lone serial killer, but part of a diabolical plot involving hypnotism and the ever-evil Professor Moriarty (Henry Daniell).
Part of a series of 14 Sherlock Holmes films produced between 1939 and 1946 (by 20th Century Fox and then Universal), The Woman in Green plays with hypnotism as a way for Moriarty to gain control. Moriarty’s partner-in-crime is Lydia (Hillary Brooke), a hypnotism enthusiast. Together, they hypnotize wealthy men to believe...
- 11/5/2013
- by Karen Bacellar
- SoundOnSight
On top of a mesmerising plot, perfect casting and the greatest comic duo in British cinema, this comedy thriller derives special urgency from the troubled times in which it was made
Hitchcock and railways go together like a locomotive and tender. He loved them, they figure significantly in his work and never more so than in The Lady Vanishes. Much of what happens could only take place on a railway line – passengers delayed together by an avalanche; classes compartmentalised; strangers trapped together as they're transported across a continent; an engine driver killed in crossfire; a carriage disconnected and shunted on to a branch line; an intrepid hero struggling from one carriage to another outside a fast-moving train as other locomotives rush by; clues in the form of a name traced in the steam on a window, and the label on a tea packet briefly adhering to another window; and above...
Hitchcock and railways go together like a locomotive and tender. He loved them, they figure significantly in his work and never more so than in The Lady Vanishes. Much of what happens could only take place on a railway line – passengers delayed together by an avalanche; classes compartmentalised; strangers trapped together as they're transported across a continent; an engine driver killed in crossfire; a carriage disconnected and shunted on to a branch line; an intrepid hero struggling from one carriage to another outside a fast-moving train as other locomotives rush by; clues in the form of a name traced in the steam on a window, and the label on a tea packet briefly adhering to another window; and above...
- 7/24/2012
- by Philip French
- The Guardian - Film News
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