Hannah hoch
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Hannah Hoch - Grotesque (1963) Photomontage
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Hannah Höch. Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum). 1930. Cut-and-pasted printed paper and metallic foil on paper. 10 1/8 x 8 7/8" (25.7 x 22.4 cm). Frances Keech Fund. 569.1964. © 2024 Hannah Höch / Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany. Drawings and Prints
Hannah Hoch collage. Assembled.
This book has a surprise on pretty much every page it seems and when I turned to the pages showcasing Hausmann and Hannah Hoch it did not disappoint. Although the bio was a bit short on both, it gave me enough intrigue to seek out her history and I came to realize that she and Hausmann were both some of the beginning pioneers in the art of photomontage, which is a type of collage that I adore. Their history wasn't the impetus for this page, the gathering of strong women was. This morning…
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In light of the questions you posed on the Body Collective blog, I've been thinking about this collage I did when writing an art history paper about Hannah Hoch for my senior seminar last fall. As I wrote in my paper, "Throughout her lifetime Hannah Hoch used grotesque assemblages of photographic fragments from mass media sources to jar viewer’s cultural assumptions about gender and the fixedness of the world, as well as to express her own anxieties and uncertainties and those of Germany…
Hannah Hoch
